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Tascam HDP2 High Definition Stereo Portable Recorder

17 Jun

Answering the call of remote recording engineers, the TASCAM HD-P2 Portable High-Definition Stereo Audio Recorder is the professional solution for challenging live and on-location applications. Co-developed with Frontier Design Group, it records at up to 192kHz/24-bit resolution to Compact Flash media, and its audio files are instantly available to DAWs through the built-in high-speed FireWire computer connection. Unlike consumer MP3 sketchpads, the professional HD-P2 incorporates high-end features like a SMPTE timecode input for synchronization to external devices while in record or playback. The user interface is designed for fast and intuitive use under stressful one-take-only situations, and its large, angled LCD is perfect for any application from over-the-shoulder location recording to concert recording and commercial use.

BR-600 www.bosscorp.co.jp BOSS has a long, celebrated history as the worlds premier compact-effects manufacturer, but now the BOSS brand has become synonymous with portable digital recording as well. The latest arrival in the BOSS recording line, the BR-600, is bound to raise BOSSs recording profile even higher. Meet the most physically streamlined, feature-rich eight-track studio on the market. BR-900CD www.bosscorp.co.jp The BR-900CD the musician’s portable dream studio. It’s road tough, fun to use, and it performs far beyond its weight class. This reliable all-in-one digital recorder stands out with its professional effects, realistic drum-pattern generator, vocal-correction and Mastering Tool Kit, digital output, and internal CD burner. No matter where you are — in your home studio or on the road — all you’ll need is a BR-900CD, and you can write, record, edit, mix, master, and burn a complete polished CD anywhere, anytime. BR-1200 www.bosscorp.co.jp From guitar pick to compact disc, the BR-1200CD can turn your ideas into radio-quality songs with power and ease. Packed with great COSM® effects and amp models derived from BOSS’s GT-6/6B multi-effects processors, plus a great-sounding bass and drum rhythm programmer for instant backing tracks, the BR-1200CD is the friendliest and most comprehensive hard disk recorder on the market. BR-1600 The BR-1600CD Digital Recording Studio is the first BOSS studio with eight XLR inputs for recording eight tracks simultaneously

TASCAM HD P2 Portable Digital Audio Recorder – High Resolution

16 Jun

An overview from Tascam of the high resolution, high end, Tascam HD-P2 portable digital audio recorder. Available to buy in the UK, with a 4gb card completely free, from www.aandcaudio.co.uk Answering the call of remote recording engineers, the Tascam HD-P2 is the professional solution for the challenging requirements of live and on-location applications. It is also ideal for electronic news gathering and other high-quality recording tasks in the field

See the many features and functions of the Tascam DR-100 Digital Portable Recorder. This video was taken at the NAMM 2009 show with an in-depth demonstration by Johnny DeLeon from Tascam.
Video Rating: 3 / 5

Tascam DR2D Portable Digital Recorder

6 Jun

Tascam DR2D Portable Digital Recorder

  • Compact, affordable portable digital recorder for 96kHz/24-bit WAV or MP3 recording to SD cards
  • Stereo condenser microphone design with improved signal to noise ratio
  • Dual recording function records a copy of your audio at a lower level
  • Variable Speed Audition function changes the playback speed without changing the pitch
  • Powered by two AA batteries or optional power supply

Grab high-resolution recordings wherever you roam with the compact, affordable Tascam DR2D portable digital recorder, which uses either its own built-in condenser microphones or your own microphones plugged into the device. It offers up to 96kHz/24-bit WAV or MP3 recording to SD cards, and recordings can be transferred to computer through high-speed USB 2.0. A dual recording feature also records a copy of your audio at a lower level, so if the level suddenly jumps you have a backup instead of a

Rating: (out of reviews)

List Price: $ 449.99

Price: Too low to display

Recorder, Handheld, Professional, 128 MB SNFICRB220

  • Foot/Hand Controls – Hand Control
  • Post-Consumer Recycled Content Percent [Nom] – 0 %
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  • Recycled Comments – N/A
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The compact, lightweight ICR-B220 fits comfortably in the palm of the user?s hand and offers a four-position slide control allowing single-handed, no-look operation, moving straight from record to review and then into play in one smooth motion. A user-friendly navigation key, located on the front of the unit, controls advanced digital functions such as voice activation, record mode, folder selection, authorID, and time/date.The ICR-B220?s advanced digital editing function enables a user to quick

Rating: (out of reviews)

List Price: $ 199.99

Price: $ 128.36

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What would be a good simple and compact setup for audio equipment for recording music and movies?

1 Jun

Question by K_Alejandro: What would be a good simple and compact setup for audio equipment for recording music and movies?
Just chatting about this with a friend, trying to evaluate some different options.

He already has a Canon 5D II and feels that the external mic input is just not going to cut it for serious amateur level movie recording. I’m considering buying a 5D II in the next 6 months or so (I already have a good selection of high end Canon glass and an older DSLR) and starting mucking about with making some music videos.

He’s looking at doing small scale commercial movie work. We live on opposite sides of the planet, so we won’t be working together.

Both of us are well familiar with professional level photo editing and video editing software, but as we are both photographers before videographers, we are a bit behind on the times with audio equipment.

The thinking is that if the 5D audio quality is insufficient, we would just use externally recorded audio source.

Now for his uses, he’s been looking at portable solutions. Stuff with batteries that can record very high quality audio on to either a HD or SD.

He found one with a 40GB HD, but really, that just doesn’t seem modern enough (both of us shoot multiple 16-32GB CF and SD cards and burn through 250GB+ hard drives like water). Also, it doesn’t seem to have battery power options.

So what would you recommend for audio mixing and digital recording?

I’ve actually been pretty happy with inputting directly into my PDA with Resco Audio Recorder at 192kbps. I have a pretty basic Roland Micro Cube which can run for hours on 6 AA batteries and can handle clean audio from an instrument and vocals. My mike of choice is a Shure SM58.

As far as I’m concerned though, I’m just mucking about.

What is out there for 4 channel mixers that can be battery powered?

What is a pro level recording device that works on batteries, can record at very high quality and can deal with removable media?

Input please?

Thanks.
thanks zook.

yeah, I’m personally only planning on doing music videos. Max length is probably about 5 minutes or so.

The Edirol 4 channel was actually one thing that we had been discussing, but the price is a tad steep.

Now the only other question is – for long duration vids, will digital recording keep consistent enough time that I can just sync sound up at the beginning of the clip and have it stay in sync for several minutes?

I’ve had problems with this in editing from tape before.

Best answer:

Answer by zookmook
Although the 5DII can shoot 1080i HD video it appears that the audio capabilities are quite limiting so you will need a versatile portable recorder to make up for the shortcomings. Unfortunately one of the key elements to using a field audio recorder is the ability to sync your audio with your video, a feature which the 5D does not have so you will have to do your best to position the audio in the time line so that it will be synchronized with the video.

Also, you need to realize that the 5D II is limited to 12 minutes of HD video recording so long clips will not be possible.

In any case, here are some recommendations for audio field recordres from best/priciest to simplest.

Your best option would be something like the “Roland R-44″ Four-Channel Portable Field Recorder:

http://www.bhphotovideo.com/c/product/542280-REG/Edirol_Roland_R_44_R_44_Solid_State_Four_Channel_Portable.html#features

It has all the bells and whistles and can record unto SD media and is battery and/or AC powered. The advantage to this recorder is that it is a four channel recorder which means you can record up to 4 audio channels independently. It also has four XLR mic inputs giving you total quality and control in field recording. This is useful when you are doing interviews and need to isolate different audio sources. In post you can place each audio on its own track and process it separately. It also has a built in stereo mic pair to capture ambient sound.

If you are looking for something simpler and less expensive, the “Ikey Audio” portable recorder is your next choice.

http://www.bhphotovideo.com/c/product/457042-REG/Ikey_Audio_IKEYPLUS_iKEY_Plus_Portable_USB.html#features

It has a USB plug and can record unto any USB device such as flash drives and iPods. It does not have balanced inputs but the two RCA line inputs will do just fine with an additional Direct Box. It only has two channels so it would not be ideal for multiple audio sources.

Edited to add: There are ways to record two sources on a stereo only recorder and that is to use two mics, each receiving a signal from each stereo pan. You then bring the audio file into a software that can split the stereo signal into two mono tracks and you have two independent audio sources.

Lastly, for a much simpler solution you can’t beat the “HHB DRM85-CLI FlashMic”

http://www.bhphotovideo.com/c/product/529796-REG/HHB_DRM85_LI_C_DRM85_CLI_FlashMic_Handheld_Microphone.html

This is a simple battery operated microphone which has built-in flash memory so no inputs are necessary. It also has a built-in preamp so you can control the gain right on the mic. Battery operated and USB connection makes it simple and ideal for interview type single source field recording.

Again, with no sync capabilities you will need to record is short bursts with small audio segments. Then you will need to drop those audio clips into your video editor and manually align them to the video which can be quite tedious.

Edited to add: I guess the above does not matter much if all you will be doing is music videos.

Good luck

Know better? Leave your own answer in the comments!

Review Marantz Professional PMD661 Digital Recorder with XLR

29 May

Professional solid state recorder with XLR mic/line contections. SD recorder support to 2TB size cards
Video Rating: 4 / 5

Sony LCPCMD50G Carrying Case for PCM-D50 Professional Portable Stereo Digital Audio Recorder, Black Reviews

24 May

Sony LCPCMD50G Carrying Case for PCM-D50 Professional Portable Stereo Digital Audio Recorder, Black

  • Dimensions – Width 3 x Height 5-1/8 x Depth 1-13/16 (75x130x45mm)
  • Weight – 3.2 ounces (90 grams)

Includes shoulder strap / Polyurethane covering with EVA (Ethylene Vinyl Acetate) foam padding / Sleek and stylish / Easy access to your recorder

Rating: (out of reviews)

List Price:

Price: $ 39.00

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